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Secrets of Super Advanced Singing by Maestro Silvestro at La Scala in Milan

¥4,500

One of their teachings, which they have learned from and performed with the very best such as Mirella Freni, Maria Callas, Placido Domingo, Alfredo Krauss, etc……is this necessary?But if you know how the body works, you can have a better voice!If you want to improve further and learn the secrets of the best in the world, click here!With further discoveries in the depths of singing, you may even acquire an enchanting voice?As a former Baritono of Teatro alla Scala in Milan and a former head instructor of the exclusive singer training school, Mr. Silvestro’s words, based on practice and experience, are closer to the truth than anything else, and will give you some insight.They will also serve as a guide for your singing.

One of their teachings, which they have learned from and performed with the very best such as Mirella Freni, Maria Callas, Placido Domingo, Alfredo Krauss, etc……is this necessary?But if you know how the body works, you can have a better voice!If you want to improve further and learn the secrets of the best in the world, click here!With further discoveries in the depths of singing, you may even acquire an enchanting voice?As a former Baritono of Teatro alla Scala in Milan and a former head instructor of the exclusive singer training school, Mr. Silvestro’s words, based on practice and experience, are closer to the truth than anything else, and will give you some insight.They will also serve as a guide for your singing.

【Profile of Silvestro Sammaritano】
Former Baritono of Teatro alla Scala Milano.Formerly in charge of teaching at the exclusive singer training school of Teatro alla Scala Milano

Born in Sicily, Italy, the eldest son of a strict military father and a teacher mother.He did not receive any specialized musical education, although his teacher sometimes sang for his beautiful voice when he was a student.He originally wanted to be a painter, but his father ordered him to go to college instead of being an unstable painter, so he had no choice but to graduate with honors from the University of Economics. After graduation, she fulfilled her duty and earned her living as a painter until the age of 29, when a wealthy lady who came to her gallery told her that it would be a great loss for her not to sing with her voice, so she was half-assedly persuaded to enter the Giuseppe Verdi He entered the Conservatorio Nazionale di Musicae di Milano. He studied under Campo Galliani, who was also Pavarotti’s teacher, but decided to leave the conservatory soon after, as he had nothing to teach…. He continued his studies with tenors Giacinto Prandelli and Alfredo Kraus, and in particular, learned breathing techniques, the heart of vocal music. He passed the exam to join the exclusive chorus of La Scala in Milan just two years after beginning to study vocal music.While gaining experience in the La Scala Chorus, he refined his singing and acting techniques, expanded his repertoire, and won a number of prestigious competitions, including the International Verdi Voice Competition (Busseto, Italy), where he was awarded the Bastianini Prize (the highest award for baritone voice). At the same time, he made his operatic debut as Marcello in La bohème at the Opera Basilea.After her debut at Opera Basilea, she performed many Verdi operas, including Enrico in Lucia di Lammermoor and the title role in Rigoletto.His repertoire includes Alfio in Cavalleria Rusticana, Esmilio in Carmen, and Leporello in Don Giovanni.Although she was a member of other world-famous music companies, she received a direct call from the great conductor Claudio Abbado asking her to sing at La Scala in Milan, and in 1980 she signed an exclusive soloist contract with La Scala in Milan. (He was one of only two soloists to have sung on the La Scala stage without any musical training, and only on the basis of his singing ability.)In addition, while continuing to make frequent appearances at La Scala in Milan, he was asked enthusiastically by Claudio Abbado to become the head instructor at La Scala’s exclusive singer training school, in recognition of his exceptional teaching abilities.He has performed with Bernstein, Giulini, Muti, Oren, Ozawa, Sinopoli, Savarisch, and many other famous conductors and singers, including Pavarotti, Domingo, Carreras, Krauss, and Freni.He has performed not only Italian opera, but also French, Russian, and German opera.
He was also invited to give recitals in Italy, Germany, France, China, and other countries.He first came to Japan in 1981 for a moving performance at Teatro alla Scala, and in 1999 he was a special lecturer at the training institute of the New National Theatre, Tokyo.
In 1986, she appeared in the legendary performance of Madama Butterfly at La Scala in Milan, directed by Keita Asari (representative of the Shiki Theater Company) and costumed by Hanae Mori, and has been a close friend ever since.He is also actively involved in training successors and continues to teach soloists at La Scala in Milan. He believes that there are many people who can sing well, but teaching requires a different kind of talent and passion, and it is no exaggeration to say that his teaching ability is the best in the world, as he was in charge of teaching soloists at La Scala in Milan. He is highly regarded for his teaching, which is, in effect, the equivalent of bel canto singing (in fact, the definition is not deeply thought out and is used commercially); as of 2019, he is a painter and has had a solo exhibition in Milan, and appeared in many commercials last year. Because of his resemblance to Verdi, the founding father of the country, he has appeared in a Verdi movie and is so famous that everyone waves to him when he gets off the plane.Riho Tagawa is the only active pupil in Japan (the others are soloists at La Scala in Milan and others), and since he has passed on all of his teaching methods to Riho, Riho Tagawa has become a kind of general agent for the world and is providing full support for the establishment of Silvestro Music Academy.

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小倉LED さん

北九州市

初耳のマスケラを知って、響かせる所を意識をできるように"

Q.歌う際に最も悩んでいて解決したいことは何ですか?

A.体の使い方・呼吸が分からない・響きが分からない ・声の出し方が分からない(現在は大丈夫)     

Q.動画会員Oroで最も気に入っている点を1つお教えください。

A.田川先生の説明が明晰 

Q.動画会員Oroで最も強力な特徴は何だとお思いですか?それはなぜですか?

A.田川先生のレッスン内容 ・目に見えるレッスン過去に経験が無い) 


Q.動画会員Oroは、音楽あるいは人生を楽しむうえで、どのように役に立っていますか?

A.今迄、求めても求めても何も得られない虚しいだけのレッスンでしたが、Oroで段々発声が理解できてきた。

劣等感が消えていき、嬉しくなり気持ちにゆとりが できた 。

初耳のマスケラを知って、響かせる所を意識をできるようになった\(^o^)/


I.W さん

東京都

" .家にいながらにしてレッスンが受けられる。
歌いたいと思っていた曲を歌えるようになった"


Q.歌う際に最も悩んでいて解決したいことは何ですか?

A.狭くて浅い(?)声になってしまうこと。深くて広がりのある響きにならないこと。


Q.動画会員Oroで最も気に入っている点を1つお教えください。

A.繰り返し視聴し自主練習ができること。



Q.動画会員Oroで最も強力な特徴は何だとお思いですか?それはなぜですか?

A.家にいながらにしてレッスンが受けられること。3と重なりますが、繰り返し視聴できること。



Q.動画会員Oroは、音楽あるいは人生を楽しむうえで、どのように役に立っていますか?

A.歌いたいと思っていた曲を歌えるようになったこと。

歌いたいと思ったときに歌えること。

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